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<< Our Photo Pages >> Sculptor's Cave - Class I Pictish Symbol Stone in Scotland in Moray

Submitted by TimPrevett on Monday, 14 September 2015  Page Views: 34223

Early Medieval (Dark Age)Site Name: Sculptor's Cave
Country: Scotland County: Moray Type: Class I Pictish Symbol Stone
Nearest Town: Lossiemouth
Map Ref: NJ175707  Landranger Map Number: 28
Latitude: 57.718472N  Longitude: 3.386552W
Condition:
5Perfect
4Almost Perfect
3Reasonable but with some damage
2Ruined but still recognisable as an ancient site
1Pretty much destroyed, possibly visible as crop marks
0No data.
-1Completely destroyed
2 Ambience:
5Superb
4Good
3Ordinary
2Not Good
1Awful
0No data.
3 Access:
5Can be driven to, probably with disabled access
4Short walk on a footpath
3Requiring a bit more of a walk
2A long walk
1In the middle of nowhere, a nightmare to find
0No data.
1 Accuracy:
5co-ordinates taken by GPS or official recorded co-ordinates
4co-ordinates scaled from a detailed map
3co-ordinates scaled from a bad map
2co-ordinates of the nearest village
1co-ordinates of the nearest town
0no data
3

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Sculptor's Cave
Sculptor's Cave submitted by durhamnature : Panel from "Sculptured Stones of Scotland" via archive.org (Vote or comment on this photo)
Multiple Pictish carvings in Moray. A sea cave at the foot of steep cliffs which was in use from the Bronze Age until the 19th Century.

Bones and Bronze Age metalwork found in the 1920s, apparently ritual deposits and sacrifices. The significance of the site lasted long into the Pictish period.

Access is very difficult and should be with extreme caution and regard for the tides. See below for more details.

Note: Talk by Ian Armit and Lindsey Buster: Underworld encounters, recent archaeological encounters at Covesea Caves, Thurs September 24th, see the latest comment on our page
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Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Sculptor's Cave interior, west and east entrances respectively. Aron Bowers (1 comment - Vote or comment on this photo)

Pagan Priestess of the Sculptor's Cave
Pagan Priestess of the Sculptor's Cave submitted by wiccaman9 : Pagan priestess at the Sculptor's Cave, Hopeman, Moray - Famed for its' pagan artwork, it was once used for sacrificial ceremonies by Bronze age peoples of the Moray area. Numerous skulls of children have been found outside and within the cave to suggest memorial services or sacrifices were carried out within the cave... Aron Bowers For more pictish, pagan an... (Vote or comment on this photo)

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : The famed Sculptor's Cave has a period of use from the early Bronze Age, where severed heads of children were displayed within and at the entrance to the cave (in remembrance or sacrifice? no one can be certain?!) Later use was by Romans, and later still by the Picts, those most enigmatic of Scottish peoples. Nothing is really known of their language or culture, other than their exquisite artwork... (1 comment - Vote or comment on this photo)

Sculptor's Cave
Sculptor's Cave submitted by durhamnature : Panel from "Sculptured Stones of Scotland" via archive.org (Vote or comment on this photo)

Sculptor's Cave
Sculptor's Cave submitted by durhamnature

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Triple oval symbol, possibly early christian symbol, trinity, or pagan symbol. East wall, West entrance, Sculptor's cave Aron Bowers (2 comments)

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Inverted L-shape and curved rectangle, East wall, West entrance, sculptor's cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Large crescent and v-rod, above 2 inscribed pentagrams (feint) Above West entrance, Sculptor's cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Mirroe and crescent and v-rod, Proto-Pictish symbols circa 5th Century. West wall, West entrance, Sculptor's cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : The Flower and triple oval, Pictish Abstract art. Buttress column between entrances, Sculptor's cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Pentagrams, Pictish West wall, East entrance Sculptor's cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Multiple symbols, West entrance, West wall, Sculptors cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Salmon and Crescent with V-rod east entrance, sculptors cave Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : Sculptors' Cave from the outside, false cave on right, True entrances (there are 2) on the left of picture (East) Aron Bowers

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : The classic Cresent and v-rod and Salmon, of the Sculptors' Cave of Hopeman, Moray. Classic pictish art at its' earliest and best.... Aron Bowers For more pictish, pagan and historical art pieces, please go to www.squamata.co.uk

Sculptor's Cave
Sculptor's Cave submitted by wiccaman9 : An example of the Sculptor's cave carvings, to be found in this famous cave along the coast of Moray, Scotland. The carvings represent proto-pictish designs, circa 6th century AD. Aron Bowers For more pictish, pagan and historical art pieces, please go to www.squamata.co.uk

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"Sculptor's Cave" | Login/Create an Account | 14 News and Comments
  
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Ancient Music reconstructed and recorded on location at Sculptor's Cave by Andy B on Monday, 11 December 2017
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These recordings were made at the site of Sculptor’s Cave in Covesea, near Lossiemouth in northern Scotland. Three caves on this part of the coast have extensive histories of human occupation. The caves has many signs of ritual activity, including a number of carvings on the wall, some of Pictish origin. There is evidence of decapitated heads being displayed, and of a large number of human heads being displayed. Ritual activities are usually accompanied by music, and since other Pictish carvings feature harps prominently, it was decided to record harps and lyres at this site.

The instruments are reconstructions based on archaeological evidence, played by Bill Taylor (1-3) and Simon Chadwick (4-5). The nearby bird colony, and the sounds of the sea are also clearly audible. The recordings were made by Rupert Till.

http://www.emaproject.eu/content/audio/sculptors-cave-covesea.html

Lots more from Rupert 'Chill' Till here
https://soundcloud.com/rupert-chill
[ Reply to This ]

Engraving as epitaph? Memorialising the dead at the Sculptor’s Cave by Andy B on Monday, 11 December 2017
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Engraving as epitaph? Memorialising the dead at the Sculptor’s Cave, north-east Scotland
https://remembermeproject.wordpress.com/2017/06/06/engraving-as-epitaph-memorialising-the-dead-at-the-sculptors-cave-north-east-scotland/

Case Study: Sculptor’s cave, Covesea
http://www.scottishheritagehub.com/content/case-study-sculptor%E2%80%99s-cave-covesea
[ Reply to This ]

The Covesea Caves Project by Andy B on Monday, 11 December 2017
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The Covesea Caves are located on the south shore of the Moray Firth in north-east Scotland. The best known is the Sculptor’s Cave, which derives its name from the Pictish carvings (roughly AD 600-800) which adorn its entrance walls. The Sculptor’s Cave was excavated in 1928-30 by Sylvia Benton and again in 1979 by Ian and Alexandra Shepherd, and yielded significant assemblages of Late Bronze Age metalwork, Roman Iron Age artefacts and human bone. The excavated material suggests two distinct mortuary rites: the laying out of bodies and the curation of (possibly adorned) juvenile heads in the entrance passages in the Late Bronze Age, and the decapitation of individuals inside the cave in the Roman Iron Age. Unfortunately the majority of the human remains from the 1928-30 excavations are lost.

The Sculptor’s Cave has traditionally been viewed in isolation. However, collections of human bone and artefacts in Elgin Museum and the National Museum of Scotland suggested that other caves along this stretch of coast also contain anthropogenic deposits. The Covesea Caves Project was conceived with the aim of examining the archaeology of this coastal landscape. Excavations have so far focused on Covesea Cave 2, in the bay immediately west of the Sculptor’s Cave. This cave appears to have been dug into in the 1960s, and is a likely source for much of the unprovenanced material.

Work began in 2014 with the re-excavation of an old unrecorded trench and investigation of adjacent undisturbed areas. This confirmed the presence of in situ archaeological deposits, including human bone. The 2015 season aimed to further investigate these deposits, in order to characterise the nature and extent of human activity within the cave. It also aimed to increase the sample of human remains recovered, in order to better understand the range of mortuary activity taking place.

Excavations have revealed a long sequence of prehistoric activity within Cave 2. The uppermost appear to relate to Iron Age metalworking, as indicated by numerous crucible fragments, slag, ironwork and a possible furnace base. Below this are Late Bronze Age layers characterised by dense concentrations of disarticulated human bone, some with cut-marks, and associated stake alignments, suggesting activity (i.e. the laying out and processing of bodies) similar to that taking place within the Sculptor’s Cave. AMS dates confirm the contemporaneity of the two sites. Preliminary analyses indicate differential element representation between the two bone assemblages, suggesting that the caves may have had complementary roles. The human remains from Cave 2 are especially important given the loss of so much material from the Sculptor’s Cave.

Significantly, this year, we have also identified evidence for much earlier activity in Cave 2. Early Bronze Age activity is indicated by Beaker pottery, a flint thumbnail scraper, and an AMS date obtained from a fragment of human bone. Equally unexpected was the discovery of in situ Neolithic deposits containing significant quantities of preserved wood. A well-preserved leaf-shaped arrowhead confirms the anthropogenic nature of this activity.

Our current work is revealing the existence of a Late Bronze Age coastal mortuary complex encompassing Cave 2, the Sculptor’s Cave, and potentially many other caves along this stretch of the Moray coast. Furthermore, it shows that these caves were places of significance for human communities from the Neolithic onwards.

Dr Lindsey Büster
Bradford University
https://www.socantscot.org/research-project/the-covesea-caves-project/
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In Photos: Scotland's Cave of the Dead by Andy B on Monday, 11 December 2017
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Archaeologists have created a three-dimensional digital model of a hard-to-reach sea cave on the coast at Moray in the far north of Scotland.

Excavations at the Sculptor’s Cave have shown that it was used in the late Bronze Age for a funeral practice known as excarnation, where human bodies are left to rot until the bones can be cleaned and collected.

Sculptor’s Cave consists of a single large chamber scoured out of the base of a sandstone cliff by the action of the sea. It has twin entrance passaged, separated by a spine of rock.

The earliest local record of the cave is from the 1860s. Excavations in the 1920s and 1970s found numerous human remains that indicate it was a place for exposing the dead from about 1000 BC until about 400 AD.

They also found personal items from the late Bronze Age thought to have come from the dead bodies, such as hair rings and clothing pins.

Sculptor’s Cave takes its names from the ancient symbols carved on the rock in the twin entranceways.

Researcher recognize them as symbols made by the Pictish people around 500 AD or 600 AD, well after the cave had ceased to used by people in the late Bronze Age to expose bodies after death.

Similar symbols, including a fish, a crescent and a V-shape, are found on Pictish standing stones from pre-Christian pagan times, and on Pictish stone crosses from the later Christian period. But archaeologists don’t know what they mean.

Because access to the Sculptor’s Cave is treacherous and can only be attempted at low tide, archaeologists and scanning experts from Bradford University in the North of England decided to create a 3-dimensional digital model that can be visited by researchers and the public in safety at any time.

The researchers think that the Sculptor’s Cave was regarded as a terrible or gruesome place of the dead by the local peoples of the Pictish age many hundreds of years after it was used in funeral practices by late Bronze Age people.

They think the Pictish symbols could record a dire warning, a curse, or a ceremonial closure of the cave.

Archaeological evidence also shows that at least six people were decapitated inside the cave, in a single event around 250 AD, in an act of ritual human sacrifice or execution, the researchers say.

More photos here:
https://www.livescience.com/61098-photos-cave-of-the-dead.html?utm_source=ls-newsletter&utm_medium=email&utm_campaign=20171205-ls
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Re: Sculptor's Cave by AngieLake on Wednesday, 16 September 2015
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An article about Sculptor's Cave in Mailonline today:
http://www.dailymail.co.uk/news/article-3235869/Caverns-littered-children-s-decapitated-heads-grounds-Prince-Charles-s-old-school-remote-Scotland.html
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Talk: Recent archaeological encounters at Covesea Caves 24th Sept by Andy B on Monday, 14 September 2015
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Underworld encounters: recent archaeological encounters at Covesea Caves
Thursday, September 24, 2015 - 19:30 to 21:00

Lecture by Professor Ian Armit and Dr Lindsey Buster, University of Bradford
An update on their research and excavation, including at the Sculptor's cave, Covesea

http://www.elginmuseum.org.uk
Cost: £3, members £2, students £1.50.
Contact Elgin Museum:
01343 543675

http://www.archaeologyscotland.org.uk/events/underworld-encounters-recent-archaeological-encounters-covesea-caves

Part of the Scottish Archaeology Festival

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Death, Decapitation and Display? Bronze & Iron Age Human Remains from Sculptor’s Cave by Andy B on Thursday, 29 January 2015
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Death, Decapitation and Display? The Bronze and Iron Age Human Remains from the Sculptor’s Cave, Covesea, NE Scotland

Excavations at the Sculptor’s Cave (north-east Scotland) during the 1930s and 1970s yielded evidence for activity in the Late Bronze Age, Late Iron Age, and early medieval periods, including a substantial human skeletal assemblage with apparent evidence for the removal, curation, and display of human heads. The present project, combining osteological analysis and a programme of AMS dating, aimed to place the surviving human remains from the site into their appropriate chronological context and to relate them to the broader sequence of human activity in the cave. A series of AMS determinations has demonstrated that the human remains fall into two distinct chronological groups separated by a millennium or more: one from the Mid–Late Bronze Age and one from the Late Iron Age.

Osteological analysis suggests that while the Bronze Age group may, as previously suggested, include the remains of the heads of juveniles formerly displayed at the cave entrance, this was not the sole mechanism by which human remains arrived in the cave at this time. The Late Iron Age group provides evidence for decapitation and other violent treatments within the cave itself.

More Info: Armit, I., Schulting, R., Knüsel, C., and Shepherd, I. 2011. Death, Decapitation and Display? The Bronze and Iron Age Human Remains from the Sculptor’s Cave, Covesea, NE Scotland. Proceedings of the Prehistoric Society 77: 251-278.
https://www.academia.edu/1377478/Death_Decapitation_and_Display_The_Bronze_and_Iron_Age_Human_Remains_from_the_Sculptor_s_Cave_Covesea_NE_Scotland
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Re: Sculptor's Cave by wiccaman9 on Wednesday, 31 October 2007
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Just a note to say I've uploaded 10 images of proto-pictish symbols of Sculptor's Cave onto website, THE FIRST PICS ON THE INTERNET!!! or so it seems. Admittingly they are rather small images for the website, and only 10 of 200+ !, but it's a start.

Symbols to expect on your visit:
1) crescents and v-rods
2) mirrors
3) salmon
4) early christian cross symbols
5) pentagrams
6) step symbol
7) keyholed rectangles
8) inverted l-shaped symbols
9) the enigmatic 'flower' symbol
10) triple oval symbol

11) lots of graffitti from over the years, earliest seen with a date 1690's, to 1994! (bloody hooligans)

Enjoy the images, and the artwork submitted for your viewing,

Aron Bowers
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Re: Sculptor's Cave by wiccaman9 on Wednesday, 31 October 2007
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**To access the Cave: Approach on the Hopeman to Lossiemouth Rd, B9040, past Plewlands farm on your right, and immediately opposite is a wood, park up in a small area at the end of the wood on your left. Walk up a steep MOD road, past an MOD radio tower, and down to the lighthouse. Turn right along the coastal path until you reach a small depression to your left, and a steep grass slope to a small cliff, much lower than the neighbouring ones. Scramble, hands and knees - as rocks notoriously slippy, water algae, down to an area with 4 steps cut into it, climb down these and jump, ... yes jump!, 5 feet onto the beach... yes you can imagine the way back is quite a scramble, but 1-2 foot and fingerholds exist! (I am 6'2" so it's not too bad!)

Visit the NTSL facility website for tide tables of the Moray Firth, but beware! The cave is 3/4 mile to your left (West), but you need to scramble past 2 jutting out headlands, which get waterlogged when it seems the tide is generally still well out. Approach the cave on the receding tide, past the headlands quickly, allowing 2-3 hours walking and viewing time, otherwise the return journey will be a wet one! -having to wade through cold water round the headland! (I know having been caught out twice now!)

The rocks are notoriously slippy (algal covered) or sharp edged! Stout footwear is essential, and you will need to be physically fit to scramble both the coast, and be able to scramble back up the steep return journey. This isn't a trip to take the kiddies along!

Having worried you senseless I have to admit the trek is most certainly worth it, having been there many times over the years.

The whole walk along the coast will reveal masses of caves, small and large, but refer to my photos that I'll submit to find the real cave.

Aron Bowers


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Re: Sculptor's Cave by Anonymous on Monday, 09 April 2007
Have visited the cave on several occasions, even overnighting once when cut off by the tide. (outside, that is! -protected site!)

There's a real feeling of "otherworldliness" when at the site at dawn or dusk, and its a real honour to be at one with the spirits of the past.

Although the carvings are quite difficult to find, and are very basic compared to other pictish carvings, it is very thought provoking to imagine that crescent and v rod symbols were common to people then, what DID they mean or represent?!

It's a pity the floor of the cave has been covered over with modern gravel. It would have been good to see the original surface to ascertain the size and shape of the pool that was within.

Perhaps it's a good thing the cave is so inaccessable. I assume it deters vandals and "cave partyers".

Well worth a visit. It seems like a place where there remains to be future discoveries made, what with all the nooks, crannies & vents still left to explore.
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Re: Sculptor's Cave by Andy B on Saturday, 20 January 2007
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A MORAYSHIRE cave was a place where, in order to show their grief, parents built the most macabre of memorials.

The heads of their offspring, perished before their time, were severed and placed on poles at the entrance to the cave, which was a temple to the dead children.

The secrets of the ancient cave was revealed in a BBC Scotland television series. It suggests that around 3000 years ago, people from across the north of Scotland, the islands, and possibly even Ireland, brought their dead children to Sculptor's Cave, near Lossiemouth.
continued...

Ian Shepherd, an archaeologist, has carried out numerous excavations in the remote cave. Uncovering skeletal parts from six children, his work brought to light skull parts in the cave's entrance, which from the way they lay, indicated there had at one time been fleshy heads on poles.

"From what we can tell, these were simply people mourning their dead children," Mr Shepherd said. Prior to his discovery of the skull parts in 1979, a previous excavation 50 years before by classical archaeologist Sylvia Benton found thousands of bone parts - largely from juveniles.

Called the Sculptor's Cave because of ancient inscriptions at the entrance, the location of the cave has been known since Victorian times, but it is very remote.

It can only be accessed from the land at low tide along a mile of shingle beach or by scaling the cliff face. The BBC Scotland production team accessed it from the water by boat. Three thousand years ago, it might even have been an island, which would have reinforced its spiritual status.

Using computer graphics, the series, Art & Soul, will bring the cave back to life, showing the indicators of its religious significance and delving into its dark interior, a sacred pool strewn with Bronze Age treasures.

Richard Holloway, presenter of the programme, said: "Our earliest religions, our earliest rituals, are dark in every sense. This cave on the Moray coast hides a ghoulish, 3000-year-old secret.

"Getting into the cave from the sea was exhilarating if a little scary, but it underpinned the amazing sense of this place. It's a story that both thrills and appals. Yet it seems to demonstrate an early fascination with what came after death. Three thousand years ago, our ancestors came to this dark, foreboding cave to consecrate their child-dead."

He added: "In the depths of the cave, there's the first glimpse of the trapped pool of water - this was the bridge to another world, the high altar of a Bronze Age basilica.

"The standing stones at Callanish are older but they suggest a multitude of interpretations, and for me the picture about spirituality and ancient Scottish religious art becomes clearer in this cave.

"We know this place had spiritual meaning and we know it was decorated by human hand."

Source: The Herald
http://www.theherald.co.uk/news/other/display.var.1118440.0.0.php
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Re: Sculptor's Cave by TimPrevett on Saturday, 13 January 2007
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Programme on BBC 2 Monday - article, and details at the BBC
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