Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Over the course of three albums, Steve Von Till has, under the guise of Harvestman, provided the sonic analogue, casting his net for what might have been and yet still be. Both a personal meditation and a tuning fork for the most ancient and enduring of resonances, his latest album, Music For Megaliths, further expands his journeys along the sonic ley lines that run between folk, drone, psychedelia, the ‘kosmische’ outposts of krautrock and noise: not as an act of eclecticism, but of divination, giving voice to an underlying continuity that binds them all.

Recorded over a period of several years in the dawn hours of creation, Music For Megaliths is an aggregation of moments and recordings that have allowed themselves to spell out a greater whole. Utilizing repetition, manipulation and modulation, it’s a hallowed frequency dial that ranges across the pulse-regulated drone of The Forest Is Our Temple, revving up like a generator powered by arcane currents, the blissful gaze of Ring Of Sentinels, Sundown’s ominous waves of interference and White Horse’s rite of dissolution and regeneration, nomadic and devout. Music For Megaliths is a crossing over, whose multiple routes are testament to a singular and sensuously dilated vision.

- Jonathan Selzer

Paleowolf is the side project of Scorpio V of Metatron Omega.
A prehistoric journey from before civilization made it's mark on the world. Archaic drums echo through the riparian forests. Thick smoke from bonfires snake their way over charred and painted skulls, the spoils of war from opposing tribes. Distant sounds of the forest paints the canvas of a world untouched by modern man. The paleolithic shamans chant powerful over the tribal drums as ancient man rises from prey to predator. The night is young and the feral hunt is about to begin.

Info from the Heilung YT channel:
"Heilung is sounds from the northern european iron age and viking period. We used everything from running water, human bones, reconstructed swords and shields up to ancient frame drums and bronze rings in the songs.
The lyrics contain original texts from rune stones and preserved spear shafts, amulets and other artifacts. Furthermore poems, which either deal with historical events or are translations/ interpretations of the originals.
Every attempt to link the music to modern political or religious points are pointless, since Heilung tries to connect the listener to the time before Christianity and its political offsprings raped and burned itself into the northern european mentality.
Heilung means healing in german and describes the core of the sound. It is supposed to leave the listener eased and relaxed after a sometimes turbulent musical journey.