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In early August 2017, a team of experimental Archaeologists arrived in Ballachulish to recreate the Ballachulish Goddess. This wooden figurine, carved from alder approximately 2600 years ago, was first discovered in 1880, preserved in the peat at Ballachulish Moss just across the loch. Remarkably little is known about her, 137 years later, and one of the aims of the project was to see how she would have really looked before she dried out and shrunk on her way to the museum in Edinburgh.
Over three days the team’s woodworker, Mark Griffiths, worked tirelessly at the substitute Birch log cut down from a local garden to create a very close replica, based on measurements and a single photo dating back to 1880. I had been the local contact between the community and the team from Ireland.
Two weeks later, as the schools went back, the goddess went on a wee tour before she was buried in peat to preserve her. First stop was Glencoe Primary, where Morag Watt, a trustee at Glencoe Museum, and I introduced the goddess to the pupils. The children listened intently as we presented a slide show giving some background both to the work of the experimental archaeologists and the goddess, asking some pertinent questions when given the opportunity.
After about 10 minutes, the goddess was revealed to stifled gasps, and even a little scream from one of the younger children! Although initially slightly awestruck by the figure, when prompted, they all came forward to touch her and even cuddle her. Photos were taken, and there were many more questions, some of which were easy to answer, others a little more difficult – as so many questions from young children can be when you are unprepared!
Between the four schools, there were lots of interesting comments and ideas that the children came out with, including:
The notch in the base could have been used to weigh or peg her down.
The base plinth may have had an inscription or plaque on it (giving her name).
The item in her hands might be a baby.
One child asked why she was wearing pants – we side stepped that!
She was dressed up in furs (the child’s interpretation of contemporary clothing) when ‘in use’
She was made in Egypt, like the mummy cases, and brought here by boat
She was a statue of a real person
She was a real person turned to stone (!) by a witch
More here: https://thepallasboyvessel.wordpress.com/category/phase-2-anthropomorphic-wooden-figurines/
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