The Megalithic Portal
 
Latest EntriesFind a SiteJoin InNews & LinksForumShopAbout Us  Login / New account
Main Menu
News  ·   Forum
Browse by Country/Type
About us/Help/FAQ
Your Own Page
Your Visit Log
email Newsletter
Join our Society
Contact Editor
Site Search
spionage kamera Appunti, Riassunti @ TruCheck Referaty @ Referat.Mirslovarei.com

Random Image

Giant's Well (St. Michael's Mount)

Featured Title:
Free book with orders of £10 or over in our shop
Free book with orders of £10 or over in our shop

Roman Britain
Roman Britain

Login
User ID

Password

Don't have an account yet? You can create one. As a registered user you have some advantages like your own home page, fewer ads, and your contributions link to your page.

Who's Online
There are currently, 129 guests and 2 members online.

You are a guest. To join in, please register for free by clicking here

Sponsored Links

More Choices
Contribute to our running costs
Webrings
Open Directory: Megaliths
Megalithic Mysteries
Our Online Shop


Moderated by : davidmorgan , TimPrevett , Andy B , Klingon , MickM , bat400 , sem , Runemage , TheCaptain

The Megalithic Portal and Megalith Map : Index >> Sacred Sites and Megalithic Mysteries >> The disco ball and the Grail
New   Reply
Page 2 of 3 ( 1 | 2 | 3 )
Author The disco ball and the Grail
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 21-08-2012 at 08:32   
Sourced the reflector: Managed to get hold of a very large dish-shaped silver plated bowl: Amazing how inexpensive it turns out to be if you wait for the right thing to turn up!




 Profile   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 16-09-2012 at 08:31   
Prototype assembly tests are going well: Interesting thing about this is that we found that if this were done in timber, there would need to be either a mound or a hinge pit to the south of the final footing location during the testing & prototyping phase:



When this translates to Stonehenge, the prototyping mound would need to be located somewhere immediately south, probably marginally east, of Stones 53 & 54




 Profile   Reply
Feanor



Joined:
11-05-2011


Messages: 316
from Cape Cod Massachusetts, US

OFF-Line

 Posted 16-09-2012 at 15:44   






 Profile  Email   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 17-09-2012 at 08:30   
Where did you get that image Neil?

The centre of my 'mound' would be about a metre to the south-west of the red dot (though it's not that important).

What does the blue signify?

Thanks!

Jon





 Profile   Reply
Dragonsinger



Joined:
09-05-2012


Messages: 21
from Bradford

OFF-Line

 Posted 17-09-2012 at 11:16   
Hi Guys

This is absolutely fascinating but I have a couple of questions.

!) Since Stonehenge is known (?) to have evolved over several hundred year and excavation has confirmed several phases, how did the designer transmit his fairly esoteric ideas to those who eventualy built the phase we are talking about here?
2) Would this work in an earlier phase?
3}What proof do we have that we are looking at the INTENDED final phase of Stonehenge?
4) Would the idea work and be easier to construct if you simply used acurved array of flat mirror plates as was ised when a reconstruction of Arichimedes "Death Ray" was built? When I find the programme name and possibly "You Tube" video I'll post it. Incedentaly I think they used bronze mirrors and it worked.

Regards
Jim

PS mirror plastic sheets can be bent, twisted or moulded to almost any shape




 Profile   Reply
Feanor



Joined:
11-05-2011


Messages: 316
from Cape Cod Massachusetts, US

OFF-Line

 Posted 17-09-2012 at 17:54   
Jon,
The Blue Circle represents the extent of the Mound. The Red Dot is its Center, more or less.
Whether its center is exactly where you need it to be or not, this is where it's located. I have a sense that a yard or two wouldn't make a lot of difference in your thinking, since 54 was so heavily chocked on the inside and 154 is so massive.
_______________

Jim,

1) It is thought that there were lulls between the major Phasing, wherein the people employed the edifice as then-currently designed. There is also some evidence, though unconfirmed, that the site may even have been abandoned for a short time at the close of the 1st Phase; after the bewildering posts, but before the Bluestone Crescent and Station Stones.

It is highly unlikely that there was one 'designer'. Like most projects the final work is directed by rational consensus.

The transmission of information across the Generations is thought to have been accomplished by Ritual Song. Each 'Style' of the Culture no doubt had their own Songs.
So the Learned Elite had theirs, the Political Caste had theirs, Farmers and the Rank & File each had theirs.

It is unlikely that the People living during the initial Phase could envision a later design. But later designs incorporated the older constructs into new ideas. The Henge itself was therefore immutable, but, for example, the long-standing Bluestone Crescent of later years apparently survived up to, and even during, the erection of the Sarsens.

2) Song-Transmission is virtually a Universal Method, even today. Many still sing religious songs 300 years after they were written. Many of our well-known children's lullaby's and 'Nonsense Rhymes' are actually scathing political commentary of the 18th & 19th Centuries, and some are even a riff on History. "A ring around the Rosey / A pocket full of Posies ..." is a horrific example of this.

3) The proof is that there is no extant evidence that major changes occurred after the final placement of the Bluestones.
However ... about 3- and 400 years after the Sarsens were erected, a double-ring of 30 pits each, very roughly corresponding to the Sarsens, were gouged out around the circumference of the Monument.
These are known as the 'Y & Z Holes'. Their purpose is a complete mystery, but are generally relegated to a time when the Monument was in Cultural Decline, dug by a people who had forgotten the original Purpose. The accuracy of the Holes is very poor compared to the exactness of the Stone Construct. They date to around 1,500 BC.

4) Obviously, this is a question directed at Jonm. But Tin is far older than Bronze and leaves little trace behind. For his theory to work at the time he asserts, Tin would have to be the metal employed.

Neil





 Profile  Email   Reply
cropredy



Joined:
01-01-2006


Messages: 5543
from Oxon

OFF-Line

 Posted 17-09-2012 at 17:58   


Quote:

On 2012-09-17 17:54, Feanor wrote:
Jon,
The Blue Circle represents the extent of the Mound. The Red Dot is its Center, more or less.
Whether its center is exactly where you need it to be or not, this is where it's located. I have a sense that a yard or two wouldn't make a lot of difference in your thinking, since 54 was so heavily chocked on the inside and 154 is so massive.
_______________

Jim,

1) It is thought that there were lulls between the major Phasing, wherein the people employed the edifice as then-currently designed. There is also some evidence, though unconfirmed, that the site may even have been abandoned for a short time at the close of the 1st Phase; after the bewildering posts, but before the Bluestone Crescent and Station Stones.

It is highly unlikely that there was one 'designer'. Like most projects the final work is directed by rational consensus.

The transmission of information across the Generations is thought to have been accomplished by Ritual Song. Each 'Style' of the Culture no doubt had their own Songs.
So the Learned Elite had theirs, the Political Caste had theirs, Farmers and the Rank & File each had theirs.

It is unlikely that the People living during the initial Phase could envision a later design. But later designs incorporated the older constructs into new ideas. The Henge itself was therefore immutable, but, for example, the long-standing Bluestone Crescent of later years apparently survived up to, and even during, the erection of the Sarsens.

2) Song-Transmission is virtually a Universal Method, even today. Many still sing religious songs 300 years after they were written. Many of our well-known children's lullaby's and 'Nonsense Rhymes' are actually scathing political commentary of the 18th & 19th Centuries, and some are even a riff on History. "A ring around the Rosey / A pocket full of Posies ..." is a horrific example of this.

3) The proof is that there is no extant evidence that major changes occurred after the final placement of the Bluestones.
However ... about 3- and 400 years after the Sarsens were erected, a double-ring of 30 pits each, very roughly corresponding to the Sarsens, were gouged out around the circumference of the Monument.
These are known as the 'Y & Z Holes'. Their purpose is a complete mystery, but are generally relegated to a time when the Monument was in Cultural Decline, dug by a people who had forgotten the original Purpose. The accuracy of the Holes is very poor compared to the exactness of the Stone Construct. They date to around 1,500 BC.

4) Obviously, this is a question directed at Jonm. But Tin is far older than Bronze and leaves little trace behind. For his theory to work at the time he asserts, Tin would have to be the metal employed.

Neil




http://www.rexresearch.com/kaznachv/kaznachv.htm




 Profile   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 17-09-2012 at 19:38   
Hi Jim

1) The design appears to be an evolution; a series of gradual improvements rather than one designer's vision.

2) Yes, you can make it work in any phase, though I doubt phase 1 is applicable to mirrors. The document explaining the evolutionary nature of it, starting with phase 1's requirements and why that would lead to subsequent phases will be out soon:

3) I doubt there would as an intention. It's an evolutionary design with each phase appearing to match the design evolution. The document will help a bit with this.. maybe at end of week.. not sure.

4) The design uses a curved array of flat mirror plates: That's essentially what it is. This is spherical rather than the more complex parabolic form discussed in Greek legend. Tin is easier to mould and polish and appears to have much earlier potential discovery dates (possibly dating to 3150 BC). Tin also works better as a reflector than bronze, copper or lead: Reflection properties are about 80% of silver.

Jon

[ This message was edited by: jonm on 2012-09-17 19:39 ]




 Profile   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 17-09-2012 at 19:48   
Hi Neil

But where did you get the data for this mound to be able to draw and locate it?

Mound seems very large; perhaps 8 metres radius? Reason for asking is that for my evolution idea, you shouldn't need more than 6 metres radius: So does that 8 metres represent the extent of known mound or does it represent the extent of mound detritis?

Cheers


jon




 Profile   Reply
Feanor



Joined:
11-05-2011


Messages: 316
from Cape Cod Massachusetts, US

OFF-Line

 Posted 18-09-2012 at 00:17   
Quote:

On 2012-09-17 19:48, jonm wrote:
Hi Neil
But where did you get the data for this mound to be able to draw and locate it?
Mound seems very large; perhaps 8 metres radius? Reason for asking is that for my evolution idea, you shouldn't need more than 6 metres radius: So does that 8 metres represent the extent of known mound or does it represent the extent of mound detritis?
Cheers
jon



The actual drawing is mine.
The information it's based upon comes originally from a paper on the Y & Z Holes. The Mound data was included because it was a new discovery at the time. c.2005/6 if memory serves. (Though Atkinson may have mumbled something when they righted the South Trilithon 1964)

It's only about 12 inches high at the center and hardly stands out to the casual observer. So, like the big old pit dug in front of 56 and environs, you almost have to know it's there beforehand.

Later, the D&W excavation of 2008 also played in as well, as their dig occurred along the southern edges of it, and had to spade through its overcoat.

My illustration shows the extent of the surface area, though probably up to a meter or so is indiscernible on the surface. So probably 5 or 6 meters is accurate for the main body of it.

Curiously, I have no information that speaks to its origin, e.g. if it's natural or human-made.
Some say it's a natural bump on the slope - others that's it's overthrow from 53 & 54, though I don't buy that.
No doubt George has better sources.

Whatever the case, it's extremely old and laden with Bluestone chips, which makes it at least Stage 4 and perhaps older.

Neil




 Profile  Email   Reply
Feanor



Joined:
11-05-2011


Messages: 316
from Cape Cod Massachusetts, US

OFF-Line

 Posted 18-09-2012 at 03:34   
Kevin,
Thanks very much for that link!
I read quite a bit of the matter there and have bookmarked it.
I'm looking forward to reading more.
Neil




 Profile  Email   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 18-09-2012 at 07:05   
Thanks Neil

The evidence for the mound seems a bit uncertain? It's interesting because I decided to make the demonstrator so that it can be set up as an entirely temporary arrangement, so decided to go for a slightly different design arrangement than if I had solid stone sockets in the position of 53/54.

Upshot was that I should have had a mound (though I've re-done it now that we know what the problem is.. the modern day advantage of having access to steel): The mound would either be three tiny ones or one bigger one.

Cheers

Jon




 Profile   Reply
tiompan



Joined:
09-01-2005


Messages: 2651
OFF-Line

 Posted 18-09-2012 at 07:55   
Al I know Neil is from the Field and Pearson paper which describes as being under stone 12 "subtle and diffuse but nevertheless substantial and significant ".On the east it appears to spread slightly beyond two of the stones in the outer circle (Petrie nos 6 and 7 ) .The Yand Z holes deviate to avoid the mound ,to the north of the mound is slight depression which extends about 7 m westwards into the interior from stones 2-5 in the outer circle .
Hope that helps .

George

Quote:

On 2012-09-18 00:17, Feanor wrote:
Quote:

On 2012-09-17 19:48, jonm wrote:
Hi Neil
But where did you get the data for this mound to be able to draw and locate it?
Mound seems very large; perhaps 8 metres radius? Reason for asking is that for my evolution idea, you shouldn't need more than 6 metres radius: So does that 8 metres represent the extent of known mound or does it represent the extent of mound detritis?
Cheers
jon



The actual drawing is mine.
The information it's based upon comes originally from a paper on the Y & Z Holes. The Mound data was included because it was a new discovery at the time. c.2005/6 if memory serves. (Though Atkinson may have mumbled something when they righted the South Trilithon 1964)

It's only about 12 inches high at the center and hardly stands out to the casual observer. So, like the big old pit dug in front of 56 and environs, you almost have to know it's there beforehand.

Later, the D&W excavation of 2008 also played in as well, as their dig occurred along the southern edges of it, and had to spade through its overcoat.

My illustration shows the extent of the surface area, though probably up to a meter or so is indiscernible on the surface. So probably 5 or 6 meters is accurate for the main body of it.

Curiously, I have no information that speaks to its origin, e.g. if it's natural or human-made.
Some say it's a natural bump on the slope - others that's it's overthrow from 53 & 54, though I don't buy that.
No doubt George has better sources.

Whatever the case, it's extremely old and laden with Bluestone chips, which makes it at least Stage 4 and perhaps older.

Neil








 Profile   Reply
Feanor



Joined:
11-05-2011


Messages: 316
from Cape Cod Massachusetts, US

OFF-Line

 Posted 18-09-2012 at 16:37   
[quote]
On 2012-09-18 07:55, tiompan wrote:
All I know Neil is from the Field and Pearson paper which describes as being under stone 12 "subtle and diffuse but nevertheless substantial and significant "On the east it appears to spread slightly beyond two of the stones in the outer circle (Petrie nos 6 and 7 ). The Y and Z holes deviate to avoid the mound, to the north of the mound is a slight depression which extends about 7 m westwards into the interior from stones 2-5 in the outer circle.
Hope that helps.
George
[quote]

Thanks very much George!
This tells us that the Mound is not only a bit larger, but of a more irregular shape. The 'Depression' is new to me.

Also, I was unaware that the Z-Holes avoided it.
This influences me to lean more towards it being a natural feature than man-made.
If true, Sorry Jon!

Rhetorical question (1): Why didn't they level and grade it?
(2): Why was it considered significant enough to avoid?

Rhetorical answer (1): No need.

Rhetorical answer (2): Lends confirmation that the Y&Z Holes were far later than the Stones' erection, and the Diggers didn't want to interfere with what "The Ancients" had done, inferring respect for the Hallowed Site.

My Blue Circle is far too small & symmetrical.

Neil




 Profile  Email   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 19-09-2012 at 17:09   
Thanks Neil & George

Interesting: Sounds as if it could be natural or could be levelled, in which case there's a max of about 30 cubic metres of soil there, which would be really great for the idea if it was levelled. But even if it's levelled, there's nothing remaining so it becomes conjecture either way.

but it provides a nice link through the stages (I'll write it up sometime)

Cheers

jon




 Profile   Reply
Runemage



Joined:
15-07-2005


Messages: 2412
from UK

OFF-Line

 Posted 20-09-2012 at 13:04   
Has the area of that mound been excavated? If so, many mounds had a different floor-level material brought in from elsewhere, perhaps that's recorded in dig reports?

Rune




 Profile   Reply
jonm



Joined:
12-07-2011


Messages: 817
from UK

OFF-Line

 Posted 20-09-2012 at 14:18   
Hi Rune

Been out a lot recently because it's equinox and the only chance I'll get to do a few of the verification tests: Anyway been turning up at a few places that already seem to have the test set up. So been photographing a lot of it as there's generally no photograph or record on the megalithic forum of these particular neolithic constructions.

But came across an odd one yesterday: This is a set of two known neolithic constructions which appear to be arranged for the purpose that I was looking at.. except that there's not two, there's three arranged as I would like. The third isn't recorded as neolithic but at the same time it's obviously exceptionally old and, on inspection, it's obviously not natural.

What's the protocol? I've photographed it because for my purposes it's a useful device all set up with the relevant arrangements. But what to do with something which isn't recognised as being anything?






 Profile   Reply
Feanor



Joined:
11-05-2011


Messages: 316
from Cape Cod Massachusetts, US

OFF-Line

 Posted 20-09-2012 at 14:47   
Quote:

On 2012-09-20 13:04, Runemage wrote:
Has the area of that mound been excavated? If so, many mounds had a different floor-level material brought in from elsewhere, perhaps that's recorded in dig reports?
Rune



Rune,
Referring to the diagram shown, an inclusive rectangular area around Stones 54 & 53 (the South Trilithon) was excavated in 1964 when they righted those Stones.

A small rectangle just inside Stones 10 & 9-A was dug by Darvill & Wainwright in 2008 in their attempt to date the Bluestone installation.

The area around 52 & 51 has never been excavated, making the East Trilithon the only one of the 5 still in its original state.

A large, long, curving box-trench along that stretch of the outer Bluestone circle was dug by Atkinson in either 1953 or 58. (I can't remember which off the top of my head) This is how they discovered that the 'Missing Bluestones' of that area were actually still there, but had been broken off or melted below the surface.

Found in the upper layers is the usual detritus of visiting Humans from the Romans of the 1st Century (coins and buckles), to the Hippies of the 20th. (many beer can flip-tops and even a marijuana pipe) Curiously, it's the 19th Century Victorians who left the biggest mess of broken bottles and other picnic items.

Below this is what is known as the Stonehenge Layer, where an inordinate number of Bluestone Chips are found, whereas relatively few Sarsen remnants are detected.
This indicates that the Bluestones, ever shifted within the Circle, were reworked in situ as they were moved around to other purpose. The Sarsens, worked across the A-344, were lifted into position finished, and were only partially 'polished' on the outside afterward. They have stood unchanged since that time, other than being beaten with hammers for souvenirs or ceaselessly carved with graffiti.

Below this layer is the chalk underbed, where the bewildering array of the various Bluestone Holes are found.
Although Julian Richards and his teams found over 102-thousand worked flints and many pottery shards in the wide vicinity around the Monument in 1979 & '80, there are very few within the Circle or the Henge itself.

So then, the interior of Stonehenge is not thought to have had a 'Paved Floor', though this is found to be somewhat common in many other areas - including the upper portion of the Durrington Avenue.

This lends me to think that this mysterious Mound is a natural feature of the gentle slope, and not 'overthrow' from setting the Stones, though it's a relatively recent discovery and not examined strictly for itself.
I hope this is helpful.

Neil

[ This message was edited by: Feanor on 2012-09-20 15:40 ]




 Profile  Email   Reply
Runemage



Joined:
15-07-2005


Messages: 2412
from UK

OFF-Line

 Posted 20-09-2012 at 15:40   
Hi Jon,

But came across an odd one yesterday: This is a set of two known neolithic constructions which appear to be arranged for the purpose that I was looking at.. except that there's not two, there's three arranged as I would like. The third isn't recorded as neolithic but at the same time it's obviously exceptionally old and, on inspection, it's obviously not natural.

What's the protocol? I've photographed it because for my purposes it's a useful device all set up with the relevant arrangements. But what to do with something which isn't recognised as being anything?


*That* sounds intriguing. Please measure, photograph and provide a grid ref and let me know when you've got the details. These are the details we need for a new site submission, http://www.megalithic.co.uk/submitsite.php If you get all the info together first then let me know, we'll take it from there.

If you want to concentrate on your equinox project first, no probs.

Rune




 Profile   Reply
Runemage



Joined:
15-07-2005


Messages: 2412
from UK

OFF-Line

 Posted 20-09-2012 at 17:06   
Hi Neil,

Yes, thank-you, that's very helpful.

The sort of layer I was considering should have been mentioned if it was there, usually it's described as being at ground level - that's meaning in a cleared area ready to build on. Then there would be a layer of something completely different, brought from another area, like yellow clay for example. That doesn't seem to be the case here

Rune






 Profile   Reply
Go to Page: 1 | 2 | 3
New   Reply
Jump To
 
Sponsored Links

IMPORTANT NOTES: This site uses COOKIES. Please do not use this web site if you do not agree to our Terms and Conditions of use.
If you plan to visit ancient sites in person, please make sure you follow our Charter.

What's New Browse by Country Add a new Site Join our Society New in the Shop About Us
Feature Articles Browse by Site Type Your own page email Newsletter Follow us on Twitter Terms and Conditions
Book Reviews Accessible Sites Your visit log Google Earth Be a Facebook friend Contact Editor
Latest Photos Top Rated Sites Submit News / Article Google Street View Downloads and ebooks Site Privacy Policy
Main News Forum Latest New Images Find nearby sites Search Page Main News

Articles, photographs and comments are the property of their respective authors or contributors, please contact them for permission to reproduce. Site design ©1997-2012 Andy Burnham.